Show Me the Way Home, Honey

utorak, 04.02.2014.

George Mitchell Collection, part 2

1. Shake Your Williams - 3:51
2. Everyone Got A Woman - 2:27
3. Sugar Mama - 2:48
4. Terraplane Blues - 1:47
5. Limousine Blues - 3:00
6. Baby Please Don't Go - 2:47
7. Who's Been Foolin' You - 2:13
8. What She Need With A Rooster - 2:33
9. Sink Or Swim - 2:38
10. Prison Bound - 2:21

File: mp3 @320K/s
Size: 60,7 MB
Time: 26:30
Art: front

George Mitchell Collection - Big Joe Williams


1. Mean Ole Frisco - 3:53
2. Rock Me Mama - 2:04
3. Instrumental - 2:09
4. Freight Train Blues - 2:29
5. What's the Matter with the Mill - 2:59
6. Trouble in Mind - 2:57
7. Rattlesnake Moan - 3:48
8. So Sweet - 2:52
9. Blues Around My Bed - 3:46
10. Bud Grant's Grunt - 2:11

File: mp3 @320K/s
Size: 66,9 MB
Time: 29:13
Art: front

George Mitchell Collection - Bud Grant

1. In The Evening - 2:18
2. Amy - 2:43
3. Hey Lawdy Mama - 2:23
4. Cold Rainy Day - 1:47
5. Blue Shadow Falling - 2:02
6. Instrumental #1 - 1:32
7. Thousand Woman Blues - 1:15
8. Unfinished Business - 1:17
9. You Need A Woman - 1:26
10. That Will Never Happen - 4:43

File: mp3 @320K/s
Size: 49,3 MB
Time: 21:31
Art: front

George Mitchell Collection - Buddy Moss

1. All Night Long - 7:32
2. 16-20 - 4:18
3. Rock Me - 3:36
4. Dark Cloud Rising - 3:49
5. Rocking Brother Blues - 3:53
6. I Wanna Ramble - 4:31
7. Don't the Moon Look Lonesome - 2:51
8. Bad Whiskey and Bad Women - 5:09
9. Rabbit On A Log - 2:50
10. Sitting Here Looking A 1000 Miles Away - 3:53
11. Ain't Nobody to Hold My Aching Head - 3:38

File: mp3 @320K/s
Size: 105,5 MB
Time: 46:05
Art: front

George Mitchell Collection - Jimmy Lee Harris: I Wanna Ramble



• Various - Living Country Blues USA: An Antology
• Skip James - Hard Time Killing Floor Blues

Posted by muddy

Oznake: Acoustic Blues, Big Joe Williams, Bud Grant, Buddy Moss, Jimmy Lee Harris
- 00:19 - Comments (0) - Print - Link for this post

petak, 13.12.2013.

Buddy Moss - Essential Blues Masters

Bitrate: 320K/s
Time: 60:58
Size: 139.6 MB
Styles: Acoustic blues
Year: 2009
Art: Front

[3:27] 1. Bye Bye Mama (Future Blues Mix)
[3:14] 2. Bye Bye Mama
[2:49] 3. Broke Down Engine
[3:25] 4. Cold Country Blues
[3:15] 5. Daddy Don't Care
[2:43] 6. Midnight Rambler
[2:53] 7. Red River Blues
[2:55] 8. T.B.'s Killing Me
[2:58] 9. When I'm Dead And Gone
[3:03] 10. B & O Blues, No. 2
[3:05] 11. Broke Down Engine No. 2
[2:40] 12. Dough Rolling Papa
[2:34] 13. Insane Blues
[2:36] 14. Love Me, Baby, Love Me
[2:35] 15. New Lovin' Blues
[2:41] 16. Oh Lordy Mama
[2:54] 17. Shake It All Night Long
[2:33] 18. Sleepless Night
[2:42] 19. Some Lonesome Day
[2:52] 20. Tricks Ain't Walking No More
[2:54] 21. When The Hearse Roll Me From My Door


Eugene "Buddy" Moss was, in the estimation of many blues scholars, the most influential East Coast blues guitarist to record in the period between Blind Blake's final sessions in 1932 and Blind Boy Fuller's debut in 1935. A younger contemporary of Blind Willie McTell and Curley Weaver, Moss was part of a near-legendary coterie of Atlanta bluesmen, and one of the few of his era lucky enough to work into the blues revival of the '60s and '70s. A guitarist of uncommon skill and dexterity, he was a musical disciple of Blind Blake, and may well have served as an influence on Piedmont-style guitarist Blind Boy Fuller. Although his career was halted in 1935 by a six-year jail term, and then by the Second World War, he lived long enough to be rediscovered in the '60s, when he revealed a talent undamaged by time or adversity.

Moss was one of 12 children born to a sharecropper in Jewel, a town in Warren County, Georgia, midway between Atlanta and Augusta. There is some disagreement about his date of birth, some sources indicating 1906 and many others a more recent vintage, 1914. He began teaching himself the harmonica at a very early age, and he played at local parties around Augusta, where the family moved when he was four and remained for the next ten years. By 1928, he was busking around the streets of Atlanta. "Nobody was my influence," he told Robert Springer of his harmonica playing, in a 1975 interview. "I just kept hearing people, so I listen and I listen, and listen, and it finally come to me."

By the time he arrived in Atlanta, he was good enough to be noticed by Curley Weaver and Robert "Barbecue Bob" Hicks, who began working with the younger Moss. It was Weaver and Hicks who got him his first recording date at the age of 16, as a member of their group the Georgia Cotton Pickers. On December 7, 1930 at the Campbell Hotel in Atlanta, the group did four songs for Columbia: "I'm on My Way Down Home," "Diddle-Da-Diddle," "She Looks so Good," and "She's Comin' Back Some Cold Rainy Day." The group that day consisted of Barbecue Bob and Curley Weaver on guitars and Moss on harmonica. Nothing more was heard from Moss on record until three years later. In January of 1933, however, he made his debut as a recording artist in his own right for the American Record Company in New York, accompanied by Fred McMullen and Curley Weaver, cutting three songs cut that first day, "Bye Bye Mama," "Daddy Don't Care," and "Red River Blues." ~Excerpt from the bio by Bruce Eder

Essential Blues Masters

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Posted by azzul

Oznake: Buddy Moss, Acoustic Blues
- 23:22 - Comments (0) - Print - Link for this post

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