Show Me the Way Home, Honey

Carolina Chocolate Drops - Genuine Negro Jig

Styles: Neo-Traditional Folk, Piedmont Blues, Contemporary Country, Neo-Traditionalist Country, Country Blues, Modern Acoustic Blues, String Bands
Label: Nonesuch
Released: 2010
File: mp3 @320K/s
Size: 89,0 MB
Time: 38:41
Art: front

1. Peace Behind the Bridge - 2:35
2. Trouble in Your Mind - 2:56
3. Your Baby Ain't Sweet Like Mine - 3:00
4. Hit 'Em Up Style - 3:57
5. Cornbread and Butterbeans - 3:10
6. Snowden's Jig (Genuine Negro Jig) - 3:52
7. Why Don't You Do Right? - 3:37
8. Cindy Gal - 2:28
9. Kissin' and Cussin' - 3:21
10. Sandy Boys - 2:25
11. Reynadine - 2:37
12. Trampled Rose - 4:37

Personnel:
Dom Flemons - 4 String Banjo, Drums, Foot Percussion, Guitar, Jug, Throat Singing, Vocals
Rhiannon Giddens - 5 String Banjo, Fiddle, Kazoo, Vocals
Justin Robinson - Autoharp, Beat Box, Fiddle, Foot Percussion, Handclapping, Vocals
Sule Greg Wilson - Frame Drum, Percussion, Tambourine

Notes: Carolina Chocolate Drops are one of the last exponents of Piedmont string’n’jug band music, an African-American rural style dating back to the early 20th century from the Piedmont Plateau, essentially the foothills of the southern Appalachian Mountains.
For the most part this album’s an unashamedly foot-stomping countrified fiddle-and-banjo racket, and with it the trio reclaim what is usually assumed to be exclusively hillbilly property. But this historic black style is mountain music with something more, as these 12 tracks show how it fits between the European quadrilles and the Anglo/Celtic folk that came across the Atlantic and the rural blues and ragtime jazz that grew out the American South, informing so much contemporary music. And in the hands of the Carolina Chocolate Drops this history lesson is far from dry.
The relatively youthful threesome learned their craft from original Piedmont players and swap instruments – banjo, fiddle, jug, harmonica, guitar, snare drum and kazoo – with ease, and although they all sing, the guys, Dom Flemons and Justin Robinson, leave most of the vocals to the opera-trained Rhiannon Giddens. Cleverly, the group mix traditional songs with original compositions and a couple of surprising covers, allowing them to honour the past, then subtly nudge it forward linking it to the modern music they grew up with.
Of the former, Cindy Gal, Cornbread and Butterbeans and Sandy Boys are joyous jigs, with lyrics about life in general, while Snowden’s Jig and the stunning, a cappella Reynadine show the pensive, bluesy side of the original style. New song Kissin’ and Cussin’ arranges the mountain instruments into what becomes an intriguing contemporary ballad, while their turning of Tom Waits’ Trampled Rose into syncopated country blues adds yet another layer of poignancy to an already heart-wrenching number.
The big surprise, though, is the pickin’, fiddlin’ and slappin’ version of Blu Cantrell’s Hit ‘em Up Style, which totally countrifies an urban classic to create a tune that would be just as at home in hoedown as any blinging city nightclub. It’s the highlight of an extraordinary and stylish album. ~ Lloyd Bradley 2010

Genuine Negro Jig



• Carolina Chocolate Drops - Dona Got A Ramblin' Mind
• VA - Violin, Sing The Blues For Me: African-American Fiddlers 1926-1949

Oznake: Contemporary Country, Piedmont Blues, Modern Acoustic Blues, String Bands, Carolina Chocolate Drops, folk, Country

Various - Times Ain't Like They Used To Be Vol. 8

Styles: Country Blues, Prewar Blues, Acoustic Blues, Delta Blues, Old-Timey, String Bands, Piedmont Blues, Traditional Folk
Label: Yazoo
Released: 2003
File: mp3 @320K/s
Size: 157,0 MB
Time: 68:36
Art: full

1. Vaughan Quartet - It's Just Like Heaven - 3:12
2. Red Headed Fiddler - The Steeley Rag - 2:36
3. Gitfiddle Jim - Paddlin' Blues - 3:19
4. Dilly & His Dill Pickles - Sand Mountain Drag - 3:23
5. Dock Boggs - Sugar Baby - 3:00
6. King Solomon Hill - My Buddy Blind Papa Lemon - 3:11
7. Stripling Brothers - The Lost Child - 3:07
8. Frank Hutchinson - The Train That Carried My Girl From Town - 3:04
9. Bo Weavil Jackson - You Can't Keep No Brown - 2:52
10. Wright Brothers Quartet - Mother Is With The Angels - 2:59
11. Dick Reinhart - Rambling Lover - 2:53
12. Skip James - 4 O'Clock Blues - 2:52
13. Da Costa Woltz's Southern Broadcasters - Yellow Rose Of Texas - 2:53
14. Johnny Barfield - Gonna Ride Till The Sun Goes Down - 2:54
15. Ed Bell - Mamlish Blues - 2:36
16. Ted Sharp, Hinman and Sharp - Robinson County - 3:10
17. Dennis McGee - Valse Des Vachers - 2:39
18. David Miller - Jailhouse Rag - 2:43
19. Tommy Johnson - I Want Someone To Love Me - 2:57
20. Uncle Dave Macon and McGee Bros. - Tennessee Tornado - 3:16
21. Frank Jenkins - Roving Cowboy - 2:59
22. Shelor Family - Big Bend Gal - 2:49
23. Rev. W.M. Mosley - Yes Tis Me - 3:01

Notes: Each volume in Yazoo Records' Times Ain't Like They Used to Be series (this one is the eighth installment) collects 1920s and '30s commercial 78s that, taken together, project a vital and energetic rural, early 20th century America of jug and string bands, country blues players, fiddlers, banjoists, sacred singers, and musical roustabouts of every conceivable rustic style imaginable. This process makes each volume remarkably similar even as the particular artists and songs included on each may be tremendously different. Volume 8 is a little heavier on the blues side of things and includes such rare gems as Dock Boggs' banjo blues set piece "Sugar Baby," Skip James' haunting rendering of "4 O'Clock Blues" (made especially precious by sounding like it was recorded in a hail storm), Frank Hutchison's sleek and timeless "The Train That Carried My Girl from Town," and Francis Jenkins' ancient sounding fiddle ballad, "Roving Cowboy," which sounds a bit like an inland sea shanty. Since everything is drawn from exceedingly rare 78s, many of which were played to death by their original owners, there is a fair amount of ambient needle noise on most of these tracks, but that only adds to the overall feel of history actually coming alive that is inherent to these kinds of compilations. Well selected, varied, and artfully sequenced, Times Ain't Like They Used to Be, Vol. 8 is a welcome addition to a hopefully never-ending series.

Times Ain't Like They Used To Be Vol. 8



• Pink Anderson - Pink Anderson Vol. 3: Ballad & Folksinger
• Blind Willie McTell - Blind Willie McTell 1927-1933

Oznake: Country Blues, Prewar Blues, Acoustic Blues, Delta Blues, Old-Timey, String Bands, Piedmont Blues, Traditional Folk, Various

Various - Times Ain't Like They Used to Be Vol. 7 of 8

Styles: Country Blues, Prewar Blues, Acoustic Blues, Delta Blues, Old-Timey, String Bands, Traditional Folk
Label: Yazoo
Released: 2003
File: mp3 @320K/s
Size: 160,5 MB
Time: 70:07
Art: full

1. Dilly & His Dill Pickles - Bust Down Stomp - 3:18
2. Jimmie Tarlton - Dixie Mail - 3:22
3. King Solomon Hill - Times Has Done Got Hard - 3:14
4. East Texas Serenaders - Mineola Rag - 2:44
5. Sheffield Male Quartet - Christ Arose - 3:03
6. 'Gitfiddle Jim' - Rainy Night Blues - 3:14
7. Three Tobacco Tags - Good Gal Remember Me - 3:01
8. Red Headed Fiddlers - Texas Quickstep - 2:53
9. Ed Bell - Ham Bone Blues - 2:49
10. David Miller - Cannonball Rag - 2:48
11. Fiddlin John Carson & His Virginia Reelers - Little More Sugar medley - 3:07
12. Bo Weavil Jackson - Devil and my Brown Blues - 2:57
13. Stripling Brothers - Horseshoe Bend - 3:00
14. Daniels-Deason Sacred Harp Singers - Primrose Hill - 2:56
15. Skip James - Hard Luck child - 3:06
16. Uncle Dave Macon & Sam McGee - Go On, Nora Lee - 3:09
17. Dennis McGee - Jeunes Gens Campagnard - 2:44
18. Jay Bird Coleman - I'm Gonna Cross The River Of Jordon Some Of These Days - 3:09
19. Uncle Pete & Louise - Only A Tramp - 3:01
20. Ben Jarrell & Frank Jenkins - Jack of Diamnds - 2:48
21. Son House - Dry Spell Blues, part 1 - 3:11
22. 'Ted' Sharp, Hinman & Sharp - Pike's Peak - 3:10
23. Old Southern Sacred Singers - I'll Go Where You Want Me To Go - 3:15

Notes: Each volume in Yazoo Records' Times Ain't Like They Used to Be series (this one is the seventh installment) collects 1920s and '30s commercial 78s, and taken together they project a vital and energetic rural, early 20th century America of jug and string bands, country blues players, fiddlers, banjoists, sacred singers, and musical roustabouts of every conceivable rustic style imaginable. This process makes each volume remarkably similar even as the particular artists and songs included on each may be tremendously different. Volume 7 includes such rare gems as Jimmie Tarlton's impressive "Dixie Mail," Skip James' haunting "Hard Luck Child," an unhinged fiddle and banjo duet by Ben Jarrell and Francis Jenkins on "Jack of Diamonds" and the first part of Son House's classic two-part 78 rpm recording of "Dry Spell Blues." Since everything is drawn from exceedingly rare 78s, many of which were played to death by their original owners, there is a fair amount of ambient needle noise on most of these tracks, but that only adds to the overall feel of history actually coming alive that is inherent to these kinds of compilations. Well selected, varied, and artfully sequenced, Times Ain't Like They Used to Be, Vol. 7 is a welcome addition to a hopefully never-ending series.

Times Ain't Like They Used to Be Vol. 7



• Alan Lomax - Texas Folk Songs
• The 2nd South Carolina String Band - Hard Road

Oznake: Country Blues, Prewar Blues, Acoustic Blues, Delta Blues, Old-Timey, String Bands, Traditional Folk, Various

Various - Times Ain't Like They Used To Be Vol. 6 of 8

Styles: Country Blues, Prewar Blues, Acoustic Blues, Delta Blues, Old-Timey, String Bands, Piedmont Blues, Traditional Folk
Label: Yazoo
Released: 2002
File: mp3 @320K/s
Size: 157,5 MB
Time: 68:47
Art: full

1. Birkhead & Lane - Robinson County - 3:06
2. Floyd County Ramblers - Aunt Dinah's Quilting Party - 3:09
3. Mississippi Moaner - It's Cold In China - 2:51
4. Parker & Dodd - Sail Away Lady - 2:59
5. Uncle Dave Macon & The Fruit Jar Drinkers - I'm Goin' Away In The Morn - 3:08
6. Tenderfoot Edwards - Seven Sister Blues - 2:55
7. Virginia Mountain Boomers - Cousin Sally Brown - 2:54
8. Girls Of The Golden West - Whoopee-Ti-Yi-Yo Git Along Little Doggies - 2:46
9. Skip James - Cherry Ball Blues - 2:50
10. Roy Harvey & Jess Johnston - Milwaukee Blues - 3:20
11. Weems String Band - Davy - 2:55
12. Eli Framer - God Didn't Make Me No Monkey Man - 3:13
13. Eck Robertson - Sally Gooden - 3:11
14. Jess Johnston & Byrd Moore - My Trouble Blues - 3:10
15. Charley Patton - Prayer Of Death - Part 2 - 2:49
16. Red Headed Fiddlers - Cheat 'Em - 2:33
17. Dewey & Gassie Bassett - Jesus Paved The Way - 2:42
18. Louie Lasky - Caroline - 2:51
19. The Swamp Rooters - Swamp Cat Rag - 3:07
20. Reaves White County Ramblers - Ten Cent Piece - 3:03
21. Blind Joe Reynolds - Ninety Nine Blues - 2:40
22. Jess Hillard & His West Virginia Hillbillies - Rolling River - 3:27
23. Turney Brothers - At The Cross - 2:56

Notes: Each volume in Yazoo Records' Times Ain't Like They Used to Be series (this one is the sixth installment) collects 1920s and '30s commercial 78s, and taken together they project a vital and energetic early-20th century rural America of jug and string bands, country blues players, fiddlers, banjoists, sacred singers, and musical roustabouts of every conceivable rustic style imaginable. This process makes each volume remarkably similar even as the particular artists and songs included on each may be tremendously different. Vol. 6 includes such rare gems as Isaiah Nettles' (listed here under his moniker "the Mississippi Moaner") quirky "It's Cold in China Blues," Skip James' haunting "Cherry Ball Blues," an energetic "Davy" by the Weems String Band, and the second part of Charley Patton's two-part 78-rpm recording of "Prayer of Death." Since everything is drawn from exceedingly rare 78s, many of which were played to death by their original owners, there is a fair amount of ambient needle noise on several of these tracks, but that only adds to the overall feel of history actually coming alive that is inherent to these kinds of compilations. Well selected, varied, and artfully sequenced, Times Ain't Like They Used to Be, Vol. 6 is another welcome addition to a hopefully never-ending series.

Times Ain't Like They Used To Be Vol. 6



• Violin, Sing The Blues For Me: African-American Fiddlers 1926-1949
• Emmett Miller - Minstrel Man From Georgia

Oznake: Country Blues, Prewar Blues, Acoustic Blues, Delta Blues, Old-Timey, String Bands, Piedmont Blues, Traditional Folk, Various

Various - Times Ain't Like They Used To Be Vol. 5

Styles: Country Blues, Prewar Blues, Acoustic Blues, Delta Blues, Old-Timey, Regional Blues, String Bands, Traditional Folk
Label: Yazoo
Released: 2002
File: mp3 @320K/s
Size: 158,6 MB
Time: 69:16
Art: full

1. Sam McGee - Railroad Blues - 3:17
2. Floyd County Rambler - Step Stone - 3:02
3. Skip James - Hard Time Killin' Floor Blues - 2:50
4. Weems String Band - Greenback Dollar - 3:10
5. Jimmie Davis - Doggone That Train - 2:48
6. Eli Framer - Famer's Blues - 3:06
7. Roy Harvey & Jess Johnston - No Room For A Tramp - 3:15
8. Garland Brothers & Grinstead - Just Over The River - 2:49
9. Ben Covington - Mule Skinner Moan - 3:03
10. Reaves White County Ramblers - Shortening Bread - 2:54
11. J.P. Nestor & Norman Edmonds - Black-Eyed Susie - 2:59
12. Buddy Boy Hawkins - A Rag Blues - 3:00
13. Roy Harvey & Jess Johnston - Railroad Blues - 3:22
14. Grayson County Railsplitters - Way Down In North Carolina - 2:31
15. The Swamp Rooters - Citaco - 3:04
16. Unknown - Pistol Blues - 3:02
17. Murphy Brothers Harp Band - Boat Song March - 3:02
18. Frank Blevins & His Tar Heel Rattlers - I've Got No Honey - 2:59
19. Wilmer Watts & Lonley Eagles - Bonnie Bess - 2:57
20. Blind Joe Reynolds - Cold Woman Blues - 2:57
21. Wyzee, Tucker & Lecroy - Hamilton's Special Breakdown - 2:54
22. Bull Mountain Moonshiners - Johnny Goodwin - 2:56
23. Charley Patton - Some Happy Day - 3:09

Notes: Each volume in Yazoo Records' Times Ain't Like They Used to Be series (this one is the fifth installment) collects 1920s and '30s commercial 78s, and taken together they project a vital and energetic early-20th century rural America of jug and string bands, country blues players, fiddlers, banjoists, sacred singers, and musical roustabouts of every conceivable rustic style imaginable. This process makes each volume remarkably similar even as the particular artists and songs included on each may be tremendously different. Vol. 5 includes such gems as Sam McGee's bright "Railroad Blues," Skip James' classic and striking "Hard Time Killin' Floor Blues," a breakneck version of "Black-Eyed Susie" by string band great J.P. Nestor, and a unusually hopeful blues treatment of "Some Happy Day" from Charley Patton. Since everything is drawn from exceedingly rare 78s, many of which were played to death by their original owners, there is a fair amount of ambient needle noise on several of these tracks, but that only adds to the overall feel of history actually coming alive that is inherent to these kinds of compilations. Well selected, varied, and artfully sequenced, Times Ain't Like They Used to Be, Vol. 5 is yet another welcome addition to a hopefully never-ending

Times Ain't Like They Used To Be Vol. 5



• Various - Times Ain't Like They Used to Be Vol. 1 of 8
• Various Artists - Times Ain't Like They Used To Be Vol. 2 of 8

Oznake: Various, Country Blues, Prewar Blues, Acoustic Blues, Delta Blues, Old-Timey, Regional Blues, String Bands, Traditional Folk

Various - Times Ain't Like They Used to Be Vol. 4 of 8

Styles: Prewar Blues, String Bands, Acoustic Blues, Blues Revival, Country Blues, Old-Timey, Traditional Country, Traditional Folk
Label: Yazoo
Released: 1999
File: mp3 @320K/s
Size: 161,7 MB
Time: 70:37
Art: full

1. Jimmie Tarlton - Lowe Bonnie - 3:24
2. William Harris - Early Morning Blues - 2:51
3. Burnett & Rutherford - Billy In The Lowground - 3:10
4. Dixon Brothers - Rambling - 3:13
5. Pink Anderson & Simmie Dooley - Every Day In The Week Blues - 2:57
6. Sweet Brothers - I Got A Bulldog - 2:52
7. Cliff Carlisle - Tom Cat Blues - 2:54
8. Hi Henry Brown - Preacher Blues - 3:29
9. Kessinger Brothers - Salt River - 3:09
10. Golden Melody Boys - Blushing Bride - 2:31
11. Georgia Yellow Hammers - Kiss Me Quick - 2:52
12. Charlie Patton - Magnolia Blues - 3:13
13. Anglelas Le Jeunne - Perrodin Two Step - 3:02
14. Fiddling John Carson - Bachelor's Hall - 3:08
15. Tommy Johnson - Walking Shoes - 3:06
16. Stripling Brothers - Wolves Howling - 3:28
17. James Cole & His Washboard Band - Mistreated The Only Friend You Had - 3:12
18. Martin & Hobbs - Havana River Guide - 3:08
19. Cotton Top Mountain Sanctified Singers - I Want Two Wings To Veil My Face - 2:46
20. Jess Hillard & His West Virginia Hillbillies - Make Down The Bed And We'll Sleep Together - 3:15
21. Skip James - Special Rider Blues - 3:03
22. Watts & Wilson - Walk Right In - 2:45
23. Rev. Rice & Congregation - Leaving All To Follow Jesus - 2:57

Notes: A collection of classic recordings from the 1920s and 30s featuring many all-time great performances of early American traditional music. This series is a fascinating overview of traditional American musical styles from the Civil War to the 1920s, including fiddle tunes, rags banjo songs, religious selections, old ballads, blues, etc.

Times Ain't Like They Used to Be Vol. 4



• The 2nd South Carolina String Band - Hard Road
• Luther Dickinson And The Sons of Mudboy - Onward & Upward

Oznake: Prewar Blues, String Bands, Acoustic Blues, Blues Revival, Country Blues, Old-Timey, Traditional Country, Traditional Folk, Various

Various - Times Ain't Like They Used to Be Vol. 3 of 8

Styles: Delta Blues, Prewar Blues, String Bands, Acoustic Blues, Blues Revival, Country Blues, Old-Timey, Traditional Country, Traditional Folk
Label: Yazzoo
Released: 1999
File: mp3 @320K/s
Size: 159,9 MB
Time: 69:52
Art: full

1. Blind Willie Johnson - I Know His Blood Can Make Me Whole - 3:06
2. Ashley's Melody Men - Bath House Blues - 2:53
3. Frank Hutchison - Worried Blues - 3:18
4. Jelly Jaw Short - Snake Doctor Blues - 3:26
5. East Texas Serenaders - Acorn Stomp - 2:53
6. Carlisle Brothers - Sal Got a Meatskin - 2:53
7. Sleepy John Estes - Streetcar Blues - 3:16
8. Luke Highnight & His Ozark Strutters - Fort Smith Breakdown - 2:47
9. Wilmer Watts & His Lonely Eagles - Sleepy Desert - 3:06
10. Son House - Walking Blues - 2:56
11. Allison's Sacred Harp Singers - Sweet Rivers - 3:11
12. Williamson Brothers - Gonna Die With My Hammer in My Hand - 3:26
13. Charlie Patton - Mean Black Cat - 2:57
14. Lowe Stokes - Billy in the Lowground - 3:04
15. Jelly Roll Anderson - Good Time Blues - 2:44
16. Fiddling John Carson - Christmas Time Will Soon Be Over - 2:53
17. Fruit Jar Guzzlers - Steel Driving Man - 3:05
18. Skip James - I'm So Glad - 2:50
19. Uncle Dave Macon & His Fruit Jar Drinkers - Rok About My Sara Jane - 3:23
20. Cap, Andy & Flip - I'm Taking My Audition to Sing Up in the Sky - 3:11
21. Buster Johnson & James Cole's Washboard Band - Undertaker Blues - 3:03
22. Oscar Harper's Texas String Band - Sally Johnson - 2:34
23. Fa Sol La Singers - I'll Stay on the Right Road Now - 2:49

Notes: The beauty of the anthologies in this series is that the fine music is accompanied by liner notes that help the uninitiated to understand and savor the performers as well as the performances. When I was no longer able to stomach the latest packaged acts being spoon-fed to us by the music industry, I stopped listening to recorded music. Then, on a hunch, I started to explore roots music, much of it on the wonderful Yazoo label. These songs reward repeated listening accompanied by liner note reading and biographical books on favorite performers. So much of what is best in life is hidden, because when it becomes too popular, the commerce machine rushes in and spoils it. These recordings are immune to that phenomenon and will never be stripped of their human warmth, artistry, sincerity and emotional power. Newcomers should keep in mind that "blues" music as performed in most bars and clubs is far removed from its origins -- stripped down, rehashed, sanitized, electrified -- and ruined. I hate that kind of music, but I love the old recordings, where the soul still shines through on each performance. There are numerous sub-genres in roots music that are almost completely unknown to most people today. Shocking, even weird at first listen, they provoke the attentive listener's curiosity and present an opportunity for an adventure in personal exploration. Enjoy. ~ amazon
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Times Ain't Like They Used to Be Vol. 3



• Alan Lomax - Texas Folk Songs
• Various - White Country Blues 1926-1938

Oznake: Delta Blues, Prewar Blues, String Bands, Acoustic Blues, Blues Revival, Country Blues, Old-Timey, Traditional Country, Traditional Folk, Various

Various Artists - Times Ain't Like They Used To Be Vol. 2 of 8

Styles: Country Blues, Pre-War Blues, Acoustic Blues, Delta Blues, Old-Timey, String Bands, Traditional Folk
Label: Yazoo
Released: 1997
File: mp3 @320K/s
Size: 159,6 MB
Time: 69:44
Art: full

1. Earl Johnson & His Dixie Entertainers - John Henry Blues - 3:13
2. Allen Shaw - Moanin' the Blues - 3:01
3. Ernest Stoneman & Kahle Brewer - Lonesome Road Blues - 3:00
4. Bobby Leecan & His Need More Band - Washboard Cut Out - 2:56
5. Henry Thomas - Bob McKinney - 2:57
6. Fiddling John Carson & His Virginia Reelers - Swanee River - 3:18
7. Richard 'Rabbit' Brown - James Alley Blues - 3:08
8. Uncle Dave Macon & His Fruit Jar Drinkers - Sail Away Ladies - 2:59
9. Cannon's Jug Stompers - The Rooster's Crowing Blues - 3:03
10. A.A. Grey & Seven Foot Dilly - Tallapoosa Bound - 3:13
11. The Shelor Family - Billy Grimes the Rover - 2:46
12. The Massey Family - Brown Skin Girl Down the Lane - 2:45
13. Joe McCoy - You Know You Done Me Wrong - 3:14
14. Sid Harkreader & Gradey Moore - Old Joe - 2:53
15. Blind Alfred Reed - Beware - 3:11
16. Wilmer Watts & The Lonely - Knocking Down Casey Jones - 3:12
17. Tommy Bradley - Four Day Blues - 3:13
18. Georgia Crackers - Riley the Furniture Man - 3:06
19. Emmett Lundy & Ernest Stoneman - Piney Woods Girl - 2:46
20. Louie Blue - State Street Rag - 2:49
21. Tweedy Brothers - Sugar In The Ground - 3:07
22. Southern Moonlight Entertainers - Then I'll Move To Town - 2:51
23. Rev. D.C. Rice - Lord Keep Me With A Mind - 2:51

Notes: Like volume one, this presents 23 examples of early American rural music, mastered from rare 78s of the 1920s and 1930s. And like volume one, the names here will challenge the expertise of all but the most fanatical collector; only Uncle Dave Macon, Cannon's Jug Stompers, Henry Thomas, and maybe Blind Alfred Reed will be familiar. It's a valuable sampler of non-urban sounds as captured in the early days of the recording industry, when primitive technology and marketing naivete ensured that the music was virtually unadulterated. Fiddles, banjos, and plaintive, spirited vocals abound. Bobby Leecan's jugband romp "Washboard Cut Out" is the most exuberant track; Rev. D.C. Rice's gospel number "Lord Keep Me with a Mind" starts off in a more somber mood, but soon evolves into a jubilant New Orleans-styled arrangement.
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Times Ain't Like They Used To Be Vol. 2



• Various - Oh Brother, Best Of Southern Blues
• Corey Harris & Henry Butler - Vü-Dü Menž

Oznake: Country Blues, Pre-War Blues, Acoustic Blues, Delta Blues, Old-Timey, String Bands, Traditional Folk, Various

Various - Times Ain't Like They Used to Be Vol. 1 of 8

Styles: Country Blues, Pre-War Blues, Acoustic Blues, Delta Blues, Old-Timey, String Bands, Traditional Folk
Label: Yazoo
Released: 1997
File: mp3 @320K/s
Size: 162,7 MB
Time: 71:04
Art: full

1. Prince Albert Hunt - Blues In A Bottle - 3:26
2. Charlie Jordan - Dollar Bill Blues - 3:00
3. Bascom Lamar Lundsford - Lost John Dean - 2:48
4. A.A. Gray & Seven Foot Dilly - Streak of Lean, Streak of Fat - 3:05
5. Richard 'Rabbit' Brown - Sinking Of The Titanic - 3:49
6. Dykes Magic City Trio - Tennessee Girls - 3:04
7. Bob Campbell - Shotgun Blues - 2:56
8. J.P. Nestor & Norman Edmonds - Train On The Island - 2:58
9. The Four Wanderers - The Fault's In Me - 3:13
10. Happy Hayseeds - The Tail Of Halley's Comet - 2:43
11. Oaks Family - Wake Up You Drowsy Sleeper - 2:58
12. Louie Lasky - How You Want Your Rollin' Done - 2:49
13. Frank Blevins & His Tar Heel Rattlers - Fly Around My Pretty Little Miss - 3:03
14. Memphis Jug Band - On The Road Again - 2:51
15. Buell Kazee - The Dying Soldier - 3:09
16. Buddy Boy Hawkins - Voice Throwin' Blues - 3:03
17. Wilmer Watts & The Lonely Eagles - Been On The Job Too Long - 3:13
18. Ken Maynard - Fannie Moore - 3:34
19. Nugrape Twins - I Got Your Ice Cold Nugrape - 2:57
20. Carson Brothers & Sprinkle - The Old Miller's Will - 3:02
21. Winston Holmes & Charlie Turner - Skinner - 2:50
22. Southern Moonlight Entertainers - How To Make Love - 3:15
23. Grayson & Whitter - Old Jimmie Sutton - 3:07

Notes: These are 23 rare 78s from the 1920s and 1930s, chosen to illustrate the wide range of "early American rural music" that made its way onto disc in the early days of the recording industry. This will not get nearly as much press as Harry Smith's Anthology of American Folk Music box, yet it's on par with that ballyhooed re-release as an overview of the roots of American roots music, so to speak. Styles vary from country blues and fiddle hoedowns to banjo music and jug bands. The Memphis Jug Band is the only name here that might be familiar to more than the most well-versed folk historians. Highlights include J.P. Nestor and Norman Edmonds' "Train on the Island," a frenetic string band gallop; the Four Wanderers' eerie gospel tune, "The Fault's in Me"; and Ken Maynard's "Fannie Moore," a direct predecessor of country music in its vocal phrasing.
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Times Ain't Like They Used to Be Vol. 1



• Various - Roots of the Blues
• Jack Owens - Blues At Home 8: Recorded In Bentonia, Mississippi (1978-1982)

Oznake: Country Blues, Prewar Blues, Acoustic Blues, Delta Blues, Old-Timey, String Bands, Traditional Folk, Various

VA - Violin, Sing The Blues For Me: African-American Fiddlers 1926-1949

Size: 173,2 MB
Time: 72:59
File: MP3 @ 320K/s
Released: 1999
Styles: Delta Blues, Pre-War Blues, String Bands, Old Timey
Label: Old Hat
Art: Front

01. Johnson Boys - Violin Blues (3:21)
02. Andrew & Jim Baxter - K.C. Railroad Blues (3:31)
03. Peg Leg Howell - Beaver Slide Rag (3:21)
04. Mississippi Mud Steppers - Alma Waltz (2:56)
05. Tommie Bradley - Window Pane Blues (3:16)
06. Alabama Sheiks - Travelin' Railroad Man Blues (3:01)
07. Whistler & His Jug Band - Pig Meat Blues (3:11)
08. Frank Stokes - Right Now Blues (3:07)
09. Bo Chatmon - East Jackson Blues (2:59)
10. Mobile Strugglers - Memphis Blues (2:53)
11. Tennessee Chocolate Drops - Vine Street Drag (2:51)
12. Kansas City Blues Strummers - Broken Bed Blues (2:34)
13. Eddie Anthony, Henry 'Rubberlegs' Williams - Lonesome Blues (2:53)
14. Memphis Jug Band - Memphis Shakedown (3:05)
15. Tommie Bradley - Adam And Eve (3:02)
16. Henry Son Sims - Tell Me Man Blues (3:19)
17. Tom Nelson - Blue Coat Blues (3:04)
18. Booker Orchestra - Salty Dog (2:42)
19. Joe Williams' Washboard Blues Singers - Baby, Please Don't Go (3:25)
20. Mississippi Sheiks - Stop And Listen Blues No. 2 (3:17)
21. Cow Cow Davenport - Stealin' Blues (2:32)
22. Andrew & Jim Baxter - The Moore Girl (3:00)
23. Jack Kelly & His South Memphis Jug Band - Highway 61 Blues (2:50)
24. Louie Bluie - Ted's Stomp (2:43)

As Marshall Wyatt's thorough liner notes explain in the accompanying 32-page booklet, the violin had a more prominent role in early blues than has often been supposed. Violins were far more apt to be played than guitars in the 19th century, and even when the blues began to be recorded in the 1920s, violins were still often used, although they weren't as apt to be featured on disc as the guitar and other instruments were. This 24-track compilation (with only one cut dating from after 1935) includes some fairly recognizable blues names like Peg Leg Howell, Howard Armstrong, Cow Cow Davenport, the Mississippi Sheiks, the Memphis Jug Band, Charley Patton (accompanying Henry Sims), and Big Joe Williams (a 1935 version of his signature tune "Baby Please Don't Go"), although many of the performers are far more obscure. The material tends toward the more good-timey and folky side of the rural blues tradition; the violins can get into a hoedown kick, as on Peg Leg Howell's "Beaver Slide Rag," or get into a rapid ragtime mode, as on Louie Bluie & Ted Bogan's "Ted's Stomp." Because of the chronological span and wide roster of artists represented, it's a good overview of violin-informed early blues, a subgenre that hasn't gotten a whole of attention. And check out Frank Stokes' "Right Now Blues" to get your head spun around when you hear a lyric that was repeated in Chuck Berry's classic "Reelin' and Rockin'." ~Review by Richie Unterberger

Thanks to DrPeak.
Violin, Sing The Blues For Me



• Lonnie Johnson - Blues Roots, Vol. 8: Swingin' With Lonnie •
• The Blue Rider Trio - Early Morning Blues •

---

Posted by kamane

Oznake: Various, Prewar Blues, Old-Timey, String Bands

Various - White Country Blues 1926-1938

Styles: Country Blues, Old-Timey, String Bands, Traditional Country, Acoustic Blues, Traditional Bluegrass
Label: Legacy
Released: 1993
File: mp3 @320K/s
Size: 167,4 + 153,1 MB
Time: 73:07 + 66:54
Art: front + back

Disc 1
1. Frank Hutchinson/K.C. Blues - 3:04
2. Frank Hutchinson/Cannon Ball Blues - 3:23
3. Charlie Poole With The North Carolina Ramblers/Leaving Home - 3:04
4. Charlie Poole With The North Carolina Ramblers/If The River Was Whiskey - 3:07
5. Cauley Family/Duplin County Blues - 2:40
6. Tom Darby & Jimmie Tarlton/Sweet Sarah Blues - 3:01
7. Tom Darby & Jimmie Tarlton/Frankie Dean - 3:13
8. Riley Puckett/A Darkey's Wail - 2:55
9. Clarence Green/Johnson City Blues - 2:59
10. The Carolina Buddies/Mistreated Blues - 3:09
11. Tom Ashley/Haunted Road Blues - 3:15
12. Roy Acuff & His Crazy Tennesseans/Steel Guitar Blues - 2:52
13. Carlisle & Ball/Guitar Blues - 3:01
14. Carlisle & Ball/I Want A Good Woman - 3:21
15. Cliff Carlisle/Ash Can Blues - 2:58
16. Val & Pete/Yodel Blues (Part 1) - 3:14
17. Val & Pete/Yodel Blues (Part 2) - 2:51
18. Mr. & Mrs. Chris Bouchillion/Adam & Eve (Part 2) - 3:16
19. W.T. Narmour & S.W. Smith/Carroll County Blues - 3:01
20. Charlie Poole With The North Carolina Ramblers/Ramblin' Blues - 2:59
21. Frank Hutchinson/Worried Blues - 3:22
22. Frank Hutchinson/Train That Carried The Girl From Town - 3:01
23. Roy Harvey & Leonard Copeland/Lonesome Weary Blues - 2:53
24. W. Lee O'Daniel & His Hillbilly Boys/Bear Cat Mama - 2:19

Disc 2
1. Blue Ridge Ramblers/ Jug Rag - 2:52
2. Prairie Ramblers/ Deep Elem Blues - 3:19
3. Clayton McMichen/ Prohibition Blues - 3:03
4. Larry Hensley/ Match Box Blues - 2:55
5. Callahan Brothers/ Somebody's Been Using That Thing - 2:48
6. Homer Callahan/ Rattle Snake Daddy - 3:04
7. Homer Callahan/ My Good Gal Has Thrown Me Down - 2:42
8. W. Lee O'Daniel & His Hillbilly Boys/ Dirty Hangover Blues - 2:20
9. W. Lee O'Daniel & His Hillbilly Boys/ Tuck Away My Lonesome Blues - 2:32
10. Asa Martin & His Kentucky Hillbillies/ Lonesome, Broke And Weary - 2:28
11. Cliff Carlisle/ Chicken Roost Blues - 2:32
12. Cliif Carlisle/ Tom Cat Blues - 2:52
13. Bill Cox & Cliff Hobbs/ Oozlin' Daddy Blues - 2:55
14. Bill Cox & Cliff Hobbs/ Kansas City Blues - 2:47
15. Ramblin' Red Lowery/ Ramblin' Red's Memphis Yodel No. 1 - 2:48
16. Anglin Brothers/ Southern Whoopie Song - 2:26
17. Allen Brothers/ Drunk And Nutty Blues - 3:08
18. Allen Brothers/ Chattanooga Mama - 3:35
19. Smiling Bill Carlisle/ String Bean Mama - 2:25
20. Smiling Bill Carlisle/ Copper Head Mama - 2:26
21. Bill Cox/ Long Chain Charlie Blues - 2:47
22. Bill Cox/ Georgia Brown Blues - 2:47
23. Al Dexter/ New Jelly Roll Blues - 2:33
24. The Rhythm Wreckers/ Never No Mo' Blues - 2:39

Notes: White Country Blues 1926-1938: A Lighter Shade of Blue is an excellent, revealing 48-track, double-disc collection culled from the Columbia, American and OKeh vaults. All of the material on this double-disc set was recorded by country artists that drew heavily from the blues, whether it was incorporating the genre into their own compositions or covering blues and hokum songs. Though there are several stars, such as Roy Acuff, many of the performers on White Country Blues are obscure, especially for listeners whose knowledge of country music stops at Hank Williams. That is one of the many reasons why White Country Blues is invaluable. It's a thoughtfully compiled and thorough historical reissue that presents a wealth of rare, fascinating material. While it might not always be an easy listen, it's remains an essential purchase for any comprehensive country collection.

White Country Blues: 1926-1938 A Lighter Shad of Blue, Disc 1
White Country Blues: 1926-1938 A Lighter Shad of Blue, Disc 2



• Various Artists - Fonotone Records 1956-1969
• Old Crow Medicine Show - Tennessee Pusher

Oznake: Acoustic Blues, Country Blues, Old-Timey, String Bands, Bluegrass, Traditional Country, Various

The 2nd South Carolina String Band - Hard Road

Styles: Traditional Folk, String Bands
Label: Independent
Released: 2001
File: mp3 @320K/s
Size: 164,6 MB
Time: 71:43
Art: full

1. Tenting on the Old Camp Ground - 4:24
2. Battle Cry of Freedom - 3:25
3. Cavalier's Waltz - 1:42
4. When Johnny Comes Marching Home - 3:27
5. Cindy - 3:06
6. Oh! Susanna - 2:48
7. Invalid Corps - 2:42
8. Buffalo Gals - 2:53
9. Kingdom Coming - 2:50
10. Bonnie Blue Flag - 4:42
11. Jine the Calvary - 2:47
12. Ring de Banjo - 3:37
13. Rose of Alabama - 3:29
14. Camptown Races - 3:54
15. Goober Peas - 2:15
16. Cumberland Gap - 4:06
17. Sweet Betsey from Pike - 3:58
18. Lorena - 4:06
19. The Vacant Chair - 4:26
20. Richmond is a Hard Road - 6:14
21. Finish - 0:44

Notes: The 2nd South Carolina String Band recorded their first album; WE’RE TENTING TONIGHT, in 1991. Containing 15 of the most popular songs of the War Between the States, it was well received from the start and continues to be a strong seller. In fact, it was so well received that the band was encouraged to produce a second album, WE ARE A BAND OF BROTHERS, released two years later in 1993. This recording profited from the experience gained since the first – being produced in a better studio with better technology – as well as from two more years of performances together by a band whose reputation was already spreading rapidly. This second album contained another 15 of the most well known songs of the era, thus making the two together a sort of “Top 30? of the Civil War. Many years later, these two albums continue to attract listeners and fans, new and old. So much so that, pursuant to countless requests to bring them both out on CD, we have done just that! We are proud to offer the our first two albums together at last on one recording. The best of WE’RE TENTING TONIGHT and WE ARE A BAND OF BROTHERS, are here presented with a driving, spirited, and exciting sound worthy of the men whose memory and spirit we strive to honor and evoke. ~ civilwarband.com

Hard Road



• The 2nd South Carolina String Band - Southern Soldier
• Carolina Chocolate Drops - Dona Got A Ramblin' Mind

Oznake: The 2nd South Carolina String Band, Traditional Folk, String Bands

Carolina Chocolate Drops - Dona Got A Ramblin' Mind

Styles: Neo-Traditional Country, Contemporary Country, String Bands, Jug Band, Neo-Traditional Folk
Label: Music Maker
Released: 2007
File: mp3 @320K/s
Size: 109.7 MB
Time: 47:55
Art: front

1. Starry Crown - 2:57
2. Dona Got a Ramblin' Mind - 2:47
3. Rickett's Hornpipe - 2:34
4. Ol' Corn Likker - 4:10
5. Little Sadie - 3:36
6. Little Margaret - 2:06
7. Dixie - 1:41
8. Black Annie - 3:15
9. Tom Dula - 3:29
10. Georgie Buck - 3:01
11. Old Cat Died - 2:29
12. Another Man Done Gone - 2:15
13. Black-Eyed Daisy - 3:58
14. Short Life of Trouble - 2:47
15. Sally Ann - 3:19
16. Sourwood Mountain - 3:21


Personnel:
Rhiannon Giddens - fiddle, banjo
Dom Flemons- guitar, jug, harmonica, percussion, banjo
Justin Robinson - fiddle
and
Sule Greg Wilson - percussion

Notes: Some 80 years after its initial era, traditional string-band/jug-band folk music of the kind played by Gid Tanner and Uncle Eck Dunford in the 1920s and '30s was a rarity in itself, but the fact that the Carolina Chocolate Drops are young African-Americans rather than aged Caucasians makes them stand out even more. The trio employs fiddle, acoustic guitar, banjo, and--yes--jug, for a sound that's full of reverence for first-generation string-band music but breathes with plenty of sonic vitality. Unsurprisingly, there are traditional tunes aplenty on the band's debut album, DONA GOT A RAMBLIN' MIND, and the Chocolate Drops tear into them with the same reckless abandon that made their musical heroes' music so immediately appealing so many years earlier.

Dona Got A Ramblin' Mind



• The 2nd South Carolina String Band - Southern Soldier: Favorite Camp Songs of the Civil War •
• Old Crow Medicine Show - Carry Me Back •

Oznake: Carolina Chocolate Drops, Contemporary Country, String Bands, Jug Band, Contemporary Folk

Old Crow Medicine Show - Old Crow Medicine Show

Styles: Jug Bands, String Bands, Neo-Traditional Folk, Contemporary Folk
Label: Nettwerk Records
Released: 2004
File: mp3 @320K/s
Size: 83,7 MB
Time: 36:17
Art: front

1. Tell It To Me - 2:48
2. Big Time In The Jungle - 2:50
3. Poor Man - 3:35
4. Tear It Down - 2:11
5. Hard To Love - 2:30
6. CC Rider - 3:50
7. Trials & Troubles - 2:57
8. Hard To Tell - 3:15
9. Take 'Em Away - 3:35
10. We're All In This Together - 4:51
11. Wagon Wheel - 3:52

Personnel:
Critter Fuqua - Banjo, Guitar, Vocals, Bottleneck Guitar
Kevin Hayes - Guitar
Morgan Jahnig - Bass (Upright)
Ketcham Secor - Banjo, Fiddle, Harmonica, Vocals
Willie Watson - Banjo, Guitar, Vocals
and
David Rawlings - Guitar, Producer
Gillian Welch - Drums


Notes: Old Crow Medicine Show is an all-acoustic quintet from four states whose members met in New York City and currently reside in Nash Vegas. Their storied beginnings include a North American cross-continent ramble while they learned their instruments and how to play together, eventually ending up playing on the street in front of the Grand Ole Opry before being asked to the stage some weeks later. Their self-titled debut album is equal parts Woody Guthrie's dust bowl weariness and Cisco Houston's rambling code of the road, Phil Ochs' view of a passing America, the Kingston Trio's wide-eyed enthusiastic earnestness, the New Christy Minstrels' sense of community, Doc and Merle Watson's home-grown blues as informed by Bill Monroe, Beat Generation lamentations, forlorn 1960s idealism, and the musical mindset that fueled America's original folk revival from the 1950s as it moved toward rockabilly. In other words, this record is informed by ghosts but executed in flesh, blood, sweat, and laughter. Whether the tunes are covers from antiquity ("CC Rider," "Poor Man," "Tell It to Me") or originals by fiddler and vocalist Ketch Secor and his songwriting and singing partner, Willie Watson ("Trials & Troubles," "Hard to Tell," "We're in This Together"), the feel is the same: passion, humor, and relentless drive to get to the heart of the tune and put it across. There is so much enthusiasm here, so much willingness and fire, that it would be hard to do anything but want to sing along. Thoroughly enjoyable, wonderfully raw and sinewy, Old Crow Medicine Show may be evoking the sounds of the old string bands, but they do it with a crackling rock & roll energy. ~ Thom Jurek

O.C.M.S.



• Abbie Gardner - Hope •
• Jeff Lang - Half Seas Over •

Oznake: Old Crow Medicine Show, Jug Band, String Bands, Contemporary Folk

Eden & John's East River String Band - Take A Look At That Baby

Bitrate: 320K/s
Time: 49:30
Size: 113.3 MB
Styles: String bands, Jug Bands
Year: 2013
Art: Front

[4:30] 1. Where You Been So Long
[3:10] 2. Next Week Sometime
[3:03] 3. Too Tight Rag
[3:08] 4. Pony Blues
[3:43] 5. Got A Letter From My Darling
[3:08] 6. I'm So Glad
[2:19] 7. Old Jaw Bone
[5:28] 8. Wrap Your Troubles In Dreams
[3:19] 9. Take A Look At That Baby
[3:53] 10. Baby How Can It Be
[3:17] 11. Big Road Blues
[3:42] 12. Diamond Joe
[3:02] 13. How You Want You Rollin' Done
[3:43] 14. Nothing In This World For Me


Helmed by intrepid guitarist, mandolinist, vocalist and dedicated record collector John Heneghan along with kazoo, resonator ukulele and fetching vocalist Eden Brower, the East River String Band’s delightful fourth CD release is, once again, introduced to us by some inventive cover art courtesy of the legendary cartoonist and Cheap Suit Serenader, Robert Crumb. Crumb also adds his infectious fretwork to four of the fourteen traditional titles revived here, including entertaining renditions of both the James Cole String Band’s eternal question “Where You Been So Long?” and “Too Tight Rag,” originally committed to shellac in the early 1930’s by a group of Muhlenberg County, Kentucky coal miners led by one Everett Eugene Hack. Other old-time influenced musicians accompanying the irrepressible Brower and Heneghan include harmonica whiz Ernesto Gomez (Brotherhood Of The Jug Band Blues), Pat Conte and Blind Uncle Otis (Massapequa Parkaneers), banjo and quills ace Dom Flemons (Carolina Chocolate Drops) and mouth-harpist Joe Bellulovich of the Otis Brothers. Jackson Lynch of the Down Hill Strugglers also adds fiddle accents to a rousingly good-timey recall of Bo Carter’s “Baby How Can It Be.” Heneghan and company particularly shine on their blues numbers – favorites are Charley Patton’s “Pony Blues,” Tommy Johnson’s “Big Road Blues” and Skip James’ “I’m So Glad” – as well as on all-out shenanigans like “Old Jaw Bone,” “Diamond Joe” and “Got A Letter From My Darling.” Recalls the wildly energetic and appealingly eclectic music created by the Alan Wilson-helmed Canned Heat outfit in the 1960’s, record collectors all as well. ~Gary von Tersch

Take A Look At That Baby

Mo' Albums...
• Dave Van Ronk - Two Sides Of
• Louis Jordan & His Tympany Five - Mama Mama Blues: The Best Of Louis Jordan

Oznake: Eden & John's East River String Band, String Bands, Jug Band

Various Artists - Fonotone Records 1956-1969 (5 Disc Box set)

Styles: Folk, Blues, Gospel, Traditional, Old-Time Music, Country, Bluegrass, Spirituals, Jug Bands, String Bands
Recorded: 1956-1969
Released: 2005
Label: Dust-to-Digital
File: mp3; 320 Kbps
Size: 886.0 MB
Time: 354:00 min.
Art: full


Joe Bussard (born Joseph E. Bussard, Jr. in Frederick, Maryland, July 11, 1936) is an American collector of 78-rpm records.
Based in Frederick, Maryland, Bussard maintains a collection of more than 25,000 records, primarily of American folk, gospel, and blues from the 1920s and 1930s, believed to be the largest in the world.
He was the subject of a documentary film, Desperate Man Blues, and his collection was mined for a compilation CD, Down in the Basement. He has gleefully shared his collection, which includes many only-known-copies of records (not to mention best-known-copies) with numerous reissue labels as well as with individuals for whom he has taped recordings from his collection for a nominal sum for decades.
From 1956 until 1970, he ran the last 78 rpm record label, Fonotone, which was dedicated to the release of new recordings of old-time music. Among these were the first-ever recordings by guitarist John Fahey, as well as hundreds of other performers.

In 1956 teenaged record collector Joe Bussard decided to track some of his guitar-playing National Guard buddies in his parent's basement in Frederick, MD, and Fonotone Records, America's last operating 78 rpm label, was born. Deliberately anachronistic, Bussard sought to emulate the jug band, blues, and early country 78s that he so treasured (and collected) from the 1920s and 1930s, and he and his friends took on pseudonyms that echoed the names of the artists who recorded during that fabled era at the very dawn of the American recording industry, essentially creating a mythical musical landscape that was stubbornly (even defiantly) out of touch with the technology and musical trends of the 1950s. Part hobby, part hoax, and partly a statement on what Bussard saw as the ongoing degradation of pop music, Fonotone released an impressive number of handmade 78s before Bussard finally officially folded the label in 1969. This elaborate five-disc box set, it comes housed in a cigar box with postcards, an extensive booklet, and even a Fonotone church key bottle opener, finally brings the work of Bussard's little lost label into the digital light of the 21st century. It has to be viewed as a little ironic, given Bussard's aversion to the technological advancements of the recording industry and his complete disgust at almost anything recorded after 1934, but here you have it, all laid out in zeros and ones, and what emerges is an at times brilliant facsimile of Harry Smith's Anthology of American Folk Music. But where Smith's anthology, which collects actual 78s from the 1920s and 1930s (the 1997 reissue of the anthology on CD actually drew on nearly pristine 78s from Bussard's vast personal collection), shines with the mysterious glow of a half-remembered vernacular past, the Fonotone set, which attempts to re-create that era, replaces the mystery with what amounts to cleverness and creative mischief. That doesn't mean that the music presented here isn't interesting, it frequently bursts forth with a wonderfully chaotic energy, but it is a bit like building a scale model of the Grand Coulee Dam out of Popsicle sticks. The end result is fascinating to look at, but being a re-creation, it lacks the intangible presence (and no doubt the utility) of the original. Still, the Fonotone records were a lot of fun, and discovering the real identities behind the pseudonyms is a big part of that fun. Birmingham Bill is actually Mike Seeger. Kid Future is a young Stefan Grossman. B. Sam Firk is Mike Stewart. Blind Robert Ward is Bob Coltman. And the first recordings of iconoclast John Fahey are here, under the name Blind Thomas, in what is a sort of dress rehearsal for his Blind Joe Death persona. Bussard himself appears as part of a whole range of jug and string band groups with names like the Mississippi Swampers, the Tennessee Mess Arounders, the Back Alley Boys, and so on. There are some actual field recordings here, as well, including a pair of tracks from black Appalachian banjo player Clarence Fross that could slip undetected into any Alan Lomax collection. There is also a good deal of bluegrass music, the only postwar musical style ever allowed on a Fonotone record, which is a further irony, since bluegrass probably did more than even rock & roll to kill off the jug and string band tradition that Bussard so admired. Arguably the most effective cuts are a trio of songs that drop the old-time façade long enough to comment directly on contemporary events. Bussard and Bob Coltman's "The Death of John Kennedy," recorded immediately after Kennedy's assassination in November of 1963, is particularly arresting, as is Bussard's "The Flight of Astronaut John Glenn" and Coltman's (as Blind Robert Ward) "The Voyage of Apollo 8" (which Bussard mischievously couples with "Don't Ask for the Moon" on the flip side). By stepping out of the 1920s and addressing the present (yet in a manner and style that mimics the past), Bussard and company actually accomplish what they had been after all along, making the old-time music speak in a contemporary context. In the end, though, most of the music in this fascinating box fails to match its template, but as a stubborn attempt to turn back the musical hands of time, Bussard and Fonotone Records created a brilliant faux universe that works much like that replica of an 18th century schooner perfectly re-created to scale inside a clear glass bottle. The marvel is in the attention to detail, and by default, the imaginary sea it conjures. So here you have it, a mythical 78 rpm universe that mimics a real one, all set forth under the glass of 21st century digital technology. Just suspend belief, add some imagination, and sail away. Don't expect sonar, though, or, heaven forbid, an electric guitar. Steve Leggett, All Music Guide

Booklet

Oznake: Bluegrass, Gospel, Jug Band, Old-Timey, String Bands, Traditional Country, Traditional Folk, Various

The 2nd South Carolina String Band - Southern Soldier: Favorite Camp Songs of the Civil War

Styles: Old-Timey, String Bands
Label: Independent
Released: 1997
File: mp3 @320K/s
Size: 167,7 MB
Time: 73:14
Art: full

1. Ol' Dan Tucker - 4:49
2. McLeod's Reel - 2:35
3. Oh! Lud Gals - 3:58
4. Boatman's Dance - 4:29
5. Fisher's Hornpipe/Rickett's Hornpipe - 2:53
6. Zip Coon - 4:16
7. Hard Times, Come Again No More - 3:37
8. John Brown's March - 2:40
9. John Brown's Dream - 1:34
10. Oh, I'm a Good Old Rebel - 3:07
11. Palmetto Quickstep - 4:46
12. Keemo Kimo - 3:33
13. Jackson in the Valley - 3:25
14. Johnny Booker, Circus Jig, Jim Along Josie - 5:37
15. Rock the Cradle, Julie - 4:09
16. Jenny, Get Your Hoecake Done - 3:29
17. The Arkansas Traveller - 2:36
18. Southern Soldier - 5:26
19. Dixie's Land - 6:05


Notes: SOUTHERN SOLDIER is a collection of songs and melodies which were well known to Southerners and Northerners alike; tunes that were a familiar and comfortable part of life in the years leading up to the War Between the States. Many of these compositions were written by the likes of Stephen Foster and Daniel Emmett, who were giants of the popular music industry of their day.
Some of the titles, OL' DAN TUCKER, DIXIE'S LAND and ARKANSAS TRAVELER are still familiar to the modern-day ear. Other titles on this album, though not familiar to the eye, will be quickly recognizable to the ear. ALL selections on this album are performed on authentic instruments of the period and were chosen for the appealing nature of their rhythms and melodies. They are presented with as unique and individual a spirit as one might expect from a true Confederate camp band of the era.
Over the years since 1989, when the band was formed, we have made a concerted effort to grow in the music and the history of those times. This collection of songs and melodies that the soldiers brought with them from home to the war represents the fruit of that growth. It was and continues to be our intent as a group of musicians and living historians to try to capture the spirit and emotion of those tumultuous years. We believe that this album, SOUTHERN SOLDIER, has succeeded in that effort.
Read more

Southern Soldier: Favorite Camp Songs of the Civil War



• Jack Klatt and the Cat Swingers - Mississippi Roll •
• Jim Kweskin - Enjoy Yourself (It's Later Than You Think) •

Oznake: The 2nd South Carolina String Band, Old-Timey, String Bands

Various - Good For What Ails You: Music Of The Medicine Shows (1926-1937)

Styles: Old-Timey, Appalachian, Minstrel, String Bands, Acoustic Blues, Jug Band, Songster
Label: Old Hat Records
Released: 2005
File: mp3 @320K/s
Size: 167,4 + 163,2 MB
Time: 73:07 + 71:16
Art: front

Disc 1
1. Daddy Stovepipe & Mississippi Sarah - The Spasm - 2:52
2. Gid Tanner & Riley Puckett - Tanner's Boarding House - 3:05
3. Lil McClintock - Don't Think I'm Santa Claus - 3:06
4. Dallas String Band with Coley Jones - Hokum Blues - 3:14
5. Shorty Godwin - Jimbo Jambo Land - 2:57
6. Fiddlin' John Carson & His Virginia Reelers - Gonna Swing On The Golden Gate - 2:57
7. Pink Anderson & Simmie Dooley - Papa's 'Bout To Get Mad - 2:59
8. Charlie Parker & Mack Woolbright - The Man Who Wrote Home Sweet Home Never Was A Married Man - 3:14
9. Jim Jackson - Bye, Bye, Policeman - 3:03
10. Walter Smith - The Bald-Headed End Of A Broom - 2:56
11. Allen Brothers - Bow Wow Blues - 3:21
12. Beans Hambone & El Morrow - Beans - 2:53
13. Stovepipe #1 and David Crockett - A Chicken Can Waltz The Gravy Around - 3:08
14. Grant Brothers & Their Music - Tell It To Me - 2:57
15. Carolina Tar Heels - Ain't No Use Working So Hard - 3:08
16. Walter Cole - Mama Keep Your Yes Ma'am Clean - 2:47
17. Kirk McGee & Blythe Poteet - C-H-I-C-K-E-N Spells Chicken - 2:54
18. Banjo Joe - My Money Never Runs Out - 2:53
19. Henry 'Ragtime Texas' Thomas - Railroadin' Some - 3:19
20. Prince Albert Hunt's Texas Ramblers - Traveling Man - 2:55
21. Johnson-Nelson-Porkchop - G. Burns Is Gonna Rise Again - 3:01
22. Blue Ridge Mountain Entertainers - Baby All Night Long - 2:47
23. Chris Bouchillon - Born In Hard Luck - 3:19
24. Memphis Sheiks - He's In The Jailhouse Now - 3:11

Disc 2
1. Pink Anderson & Simmie Dooley - Gonna Tip Out Tonight - 3:09
2. Sam McGee - Chevrolet Car - 3:09
3. Gid Tanner & His Skillet-Lickers - It Ain't Gonna Rain No Mo' - 2:58
4. Cannon's Jug Stompers - Bring It With You When You Come - 2:45
5. Blind Sammie - Atlanta Strut - 3:11
6. Uncle Dave Macon & His Fruit Jar Drinkers - Go Along Mule - 3:07
7. Earl McDonald's Original Louisville Jug Band - Casey Bill - 2:48
8. Frank Stokes - I Got Mine - 3:06
9. Chris Bouchillon - Hannah - 2:57
10. Bogus Ben Covington - Adam & Eve In The Garden - 2:42
11. Alec Johnson & His Band - Mysterious Coon - 3:15
12. Carolina Tar Heels - Her Name Was Hula Lou - 2:59
13. Three Tobacco Tags - Reno Blues - 2:39
14. Papa Charlie Jackson - Scoodle Um Skoo - 3:17
15. Frank Hutchison - Stackalee - 3:05
16. Walter Smith - The Cat's Got The Measles, The Dog's Got The Whooping Cough - 2:59
17. Hezekiah Jenkins - Shout You Cats - 3:08
18. Tommie Bradley - Nobody's Business If I Do - 2:58
19. Charlie Poole & The North Carolina Ramblers - Sweet Sixteen - 2:52
20. Charlie Parker & Mack Woolbright - Ticklish Reuben - 2:40
21. Jim Jackson - I Heard The Voice Of A Porkchop - 2:52
22. Dallas String Band with Coley Jones - Shine - 3:01
23. Emmett Miller & His Georgia Crackers - The Gypsy - 3:21
24. J.E. Mainer's Mountaineers - Kiss Me Cindy - 2:06

Notes: Before motion pictures... before radio... before television... the traveling medicine shows brought entertainment to America. Flamboyant pitch doctors roamed the land, hawking their tonics, elixirs, and miracle cures, and with them came a host of singers, dancers, comedians, banjo pickers, blues shouters, jug blowers, string ticklers, and minstrel men. The shows died out by mid-20th century, but not before a handful of seasoned veterans left their musical legacy on phonograph records. Here are 48 classic performances by such colorful names as Pink Anderson, Daddy Stovepipe, Shorty Godwin, Gid Tanner, Banjo Joe, the Three Tobacco Tags, and many more—well over two hours of this extraordinary music. A 72-page color booklet details the fascinating history of the medicine shows with a profusion of rare photographs, artifacts, illustrations, full discography, and song descriptions. Three years in the making, the new release from Old Hat Records is a groundbreaking survey of music from the American medicine show, that peculiar form of theater that merged entertainment with merchandising. Good For What Ails You is a two-CD set that delivers a generous mix of 48 songs, many available nowhere else, first recorded nearly 80 years ago and now remastered with digital clarity.

Good For What Ails You was nominated for two Grammy Awards: Best Album Notes and Best Histornical Album. ~ Old Hat Records

“Like Harry Smith’s Anthology of American Folk Music, these 48 tracks provide a fine introduction to what Greil Marcus called ‘the old, weird America.’ If nothing else, such a cornucopia of delights will cure the modern day blues.” –Casper Llewellyn Smith, Guardian Unlimited, July 16, 2006

Bluebird“Factor in assorted skillet lickers, jug stompers, fruit jar drinkers, ramblers, crackers, tarheels and tobacco tags, and you have a buried history of vernacular music, therapeutic culture and politics second to none. Recommended; or rather, prescribed.” –Brian Morton, The Wire, November 2005

“When you go out on tour and play with different bands every day, or you play in bars all the time, your tastes start to become very selective... What I’m listening to most of the time at present is an album called Good For What Ails You, which is an album of songs that people used to listen to at medicine shows all over the States. It’s quite an interesting album and I think that people would be well advised to pick it up.” –Jack White, White Stripes, December 2005

Good For What Ails You: Music of the Medicine Shows 1926-1937



• Old Crow Medicine Show - Carry Me Back •
• The Juggernaut Jug Band - Jugstaposition •

Oznake: Various, Old-Timey, Appalachian, Minstrel, String Bands, Acoustic Blues, Jug Band, Songster

Old Crow Medicine Show - Carry Me Back

Notes: With the upcoming release of their new album, Carry Me Back, it looks like Old Crow Medicine Show have retaken the mantle of American roots music superstars, and they’re doing so by going back to their roots as a tough-as-nails old-timey stringband. After 2008?s disappointing Tennessee Pusher, and after a hiatus from touring over band members leaving and returning, it’s about damn time! The only downside to the new album is that it doesn’t really reflect the current lineup of the group. Since Carry Me Back was recorded, founding members Critter Fuqua and Ketch Secor have been reunited after years of separation. Founding member Willie Watson has parted ways with the group, as has mandolinist Cory Younts, and though you won’t hear him on this album, old-time fiddle prodigy Chance McCoy has now joined the band. But so what? We’ll be happy when a newer album comes out with the current lineup, of course, but this one will tide us over nicely until then.
Newer member, songwriter Gill Landry, remains on Carry Me Back, and on the new album has more of a hand in the songwriting, which is good news. Landry was an amazing signing for the group, though it went largely unnoticed by national press. Originally Cajun, Landry should be well known to any roots music fan in the Northwest from his solo work and his work with the legendary street performing jugband The Kitchen Syncopators. Their last album, Underwood, now sadly out of print, is one of my favorite roots music releases of the past decade. Hands down. It’s that good. Check out this interview by Chris Mateer of No Depression to get a better idea of who Gill Landry is. On the new album, Gill takes on the beautiful and rather sad song “Genevieve,” and I believe brings in a Syncopators song, “Steppin’ Out.” Anyways, I’m not clear on all the politics behind these changes, but it sure looks to me like Old Crow’s circling the wagons and focusing inwards on what they do best: punked-out stringband music.
On Carry Me Back, the group sounds more acoustic than ever, focusing on the hordes of banjo, guit-jos, and banjo-what-have-yous that gives them much of their rhythmic punch. Ketch Secor’s rough-as-fuck fiddling is back, which was always one of my favorite parts of the band. In truth, this album is seriously folkie. It sounds like a 21-st century version of Woody Guthrie’s vision, all hopped up on populist pride and pissed-off that times they aren’t a-changin’. “Half Mile Down” sounds like a 70s folk stringband, but the lyrics rage against flooded valleys from government dams. “We Don’t Grow Tobacco,” one of the best tracks on the album, sounds like a drunken barroom brawl and focuses its energy on out-of-work farmers. “I will chop that wicked weed/til my hands and fingers bleed/Workin’ like a mule/maybe more... And I sure am sad to say/We don’t grow tobacco ‘round here no more.” But it’s not all working-class politics. Old Crow Medicine Show cut their teeth on slice-of-life Southern folk songs and there’s plenty of that too, from the title track “Carry Me Back” which sounds like an Appalachian old-time song to “Steppin’ Out,” which could have just as easily been recorded by the Memphis Jug Band back in the day. On other bands, this kind of Southern nostalgia would come off as a bit forced, but the beauty of Old Crow Medicine Show is that they’re having too much goddamn fun to care, and their infectious joy in their own music swings the listener along with them. It’s good to have you back, boys!

Oznake: Old Crow Medicine Show, String Bands, Americana, Contemporary Folk, Bluegrass